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Songs of resistance: Nepal’s Indigenous communities fight to preserve their musical heritage

May 26, 2026

Indigenous Tharu and Kumhar communities from Nepal's southern plains have long crafted bird-shaped terracotta musical instruments called Pilru, which hold deep cultural and spiritual significance in their ceremonies and celebrations. Artist Lavkant Chaudhary has launched "Pilru — Songs of Resistance," a community-driven initiative that documents oral histories, songs, and crafting techniques to preserve this endangered tradition while centering Indigenous voices. The project also confronts the issue of cultural appropriation, where non-Indigenous institutions reproduce and commercialize Indigenous art without proper acknowledgment or compensation to the original creators.

Who is affected

  • Indigenous Tharu and Kumhar communities from Nepal's southern plains (Tarai region)
  • Roinu Chaudhary (70-year-old Pilru practitioner from Dang district, Western Nepal)
  • Santu Chaudhary (proficient Pilru player from Dang)
  • Lavkant Chaudhary (Tharu artist leading the initiative)
  • Chhabilal Kopila (Tharu litterateur and activist)
  • Young generation members of Tharu communities who are losing connection to the tradition
  • Non-Indigenous institutions that have appropriated this cultural art form

What action is being taken

  • Lavkant Chaudhary is leading "Pilru — Songs of Resistance," a community-led initiative that is documenting oral histories, songs, and techniques related to Pilru
  • The project is recording and preserving traditional knowledge by centering community voices
  • The initiative is challenging cultural appropriation by non-Indigenous institutions

Why it matters

  • This initiative matters because it addresses the preservation of endangered Indigenous cultural heritage and challenges ongoing cultural appropriation. For generations, Pilru has served not merely as entertainment but as a sacred tool for communicating with deities and connecting communities through ceremonies and celebrations. The project's significance extends beyond simple documentation—it asserts Indigenous peoples' rights over their traditional cultural expressions and knowledge, demanding proper acknowledgment, dignity, and cultural justice. Without such efforts, this living practice risks becoming extinct as younger generations lose interest, and non-Indigenous institutions continue exploiting Indigenous art without recognition or compensation to original makers.

What's next

  • No explicit next steps stated in the article

Read full article from source: Global Voices