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These Artists Revolutionized Modern Art in Nigeria. They’re Finally Getting Recognition Further Afield

October 16, 2025

A groundbreaking exhibition at London's Tate Modern titled "Nigerian Modernism" is showcasing over 250 works by more than 50 Nigerian artists, highlighting their significant but often overlooked contributions to modern art. The exhibition traces the development of modern Nigerian art from the 1940s through the colonial period, independence in 1960, and into the postcolonial era of the 1970s and 1980s. Notable featured artists include Ben Enwonwu, who gained international recognition while incorporating his Igbo heritage into his work, and Ladi Kwali, a pioneering female ceramicist who blended traditional techniques with modern training.

Who is affected

  • Nigerian artists whose work is being recognized in international art spaces
  • Art audiences and museum visitors at Tate Modern
  • Scholars and academics who have studied African modernism
  • Art collectors and the art market, where Nigerian modern art is gaining commercial value
  • The broader public understanding of modernism and art history

What action is being taken

  • Tate Modern is hosting the "Nigerian Modernism" exhibition featuring over 250 works by more than 50 Nigerian artists
  • Centre Pompidou in Paris recently presented "Paris Noir," exploring African artists' influence on modernism
  • The Ford Foundation Gallery in New York is currently showing "Body Vessel Clay: Black Women, Ceramics & Contemporary Art" featuring Ladi Kwali
  • Auction houses like Bonhams are selling Nigerian modernist works, with growing commercial interest
  • Academics and curators are continuing to highlight the contributions of Nigerian artists to art history

Why it matters

  • The exhibition challenges Eurocentric narratives of modernism by recognizing "multiple contexts within which the language of modern art developed"
  • It acknowledges how Nigerian artists blended European training with indigenous techniques and cultural heritage
  • The exhibition represents institutional recognition of artists who have been historically sidelined compared to Western peers
  • It showcases how art reflected Nigeria's journey through colonialism to independence and national identity formation
  • The increased attention brings commercial value to previously undervalued African art, with Enwonwu's "Tutu" selling for $1.67 million in 2018 and record-setting sales for Kwali's work

What's next

  • No explicit next steps stated in the article

Read full article from source: The San Diego Voice & Viewpoint